Audio Recruitment Form
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Application for the Position (Choose One)
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Senior Audio Engineer
Audio Engineer
Assistant Audio Engineer
Audio Technician
Eligibility Criteria for Senior Audio Engineer
1) Educational Qualifications:
• Degree or Diploma in Audio or Electronic Engineering.
2) Professional Experience:
• Minimum of 5 years of previous experience in a similar role, demonstrating a strong understanding of the audio industry.
• Proven experience operating and managing large-scale events in special events, touring music, and corporate environments.
3) Technical Expertise:
• In-depth knowledge and expertise with PA systems of leading brands such as L-Acoustics, D&B, Meyer, including their workflow & design software.
• Advanced understanding and experience with large format digital consoles, including Digico, Yamaha, Avid, and Allen & Heath.
• Expertise in wireless system software, such as Shure Workbench and Sennheiser WSM.
• Proficiency in networking protocols and technologies including Dante, AVB, and fiber optics.
4) Engineering Skills:
• Extensive experience in technical setups for Front of House (FOH), Monitor Systems, RF, and Stage roles.
• Expertise in system engineering, including PA rigging, designing, tuning, and alignments.
• Strong understanding of electrical safety practices.
5) Technical Tools and Equipment:
• Possession of a high-performance personal laptop is mandatory.
• Smaart or Systune licensed software, along with an audio interface and calibration microphone, is required.
6) Computer and Software Skills:
• Proficiency in Microsoft Office applications.
• Familiarity with CAD/Vectorworks software is desirable.
7) Communication and Personal Attributes:
• Strong verbal and written communication skills in both English and Hindi.
• Positive attitude and professionalism in all work environments, including on-site and in the warehouse.
• Client-facing experience with excellent interpersonal skills.
• Ability to handle pressure, meet deadlines, and comply with the company’s Health and Safety Policy.
Roles & Responsibilities of Senior Audio Engineer
1) Client Coordination:
• Attend client meetings with the Sales team to gather and understand all technical requirements for upcoming events.
2) Team Coordination:
• Coordinate with the team to assist in the design, preparation, installation, and testing of all audio equipment.
• Coordinate with the Artist Engineer/Manager to address their specific technical needs.
3) PA System Design and Setup:
• Design the PA system layout, including rigging and placement, tailored to the venue specifications using manufacturer-designing software.
4) Planning and Coordination:
• Plan and discuss all required setups and equipment with the internal technical team to ensure smooth execution.
• Site Recce: Organize site visits with the internal team and event organizers to understand setup placements and logistics.
5) Packing and Equipment Management:
• Conduct final checks on packing slips prepared by the internal team to ensure accuracy and completeness.
• Ensure correct entry of equipment into the equipment rental software, including accurate barcoding.
6) Technical Supervision:
• Manage and supervise the technical execution of the entire event, including multiple shows.
• Verify that all equipment is correctly installed, tested, and fully operational before any rehearsal, sound check, or show.
7) Console and Show Management:
• Perform final checks on console setup and patching as per event riders.
• For important shows, manage the complete show run and mix for various live bands.
8) Communication and Maintenance:
• Maintain effective communication with Audio Operations and Planning Managers to promptly address any issues or concerns.
• Support the Audio Team with routine maintenance to ensure all equipment remains in good, safe, and efficient working condition.
9) Equipment Condition and Labeling:
• Clearly mark faulty or damaged equipment and notify the Service Manager as soon as possible.
• Ensure all equipment and flight case tour labels are correctly marked for specific jobs.
10) Technology and Equipment Updates:
• Stay current with the latest equipment and technology within the department.
11) Warehouse Support:
• Assist in planning and maintenance of equipment in the warehouse with the internal team.
12) Team Development & Training:
• Take full responsibility for training and developing the technical team to enhance their skills and ensure they meet the company’s standards.
Eligibility Criteria for Audio Engineer
1) Educational Qualifications:
• Degree or Diploma in Audio or Electronic Engineering.
2) Professional Experience:
• Minimum of 3 years of previous experience in a similar role within the audio industry.
• Experience in operating and managing large-scale events in special events, touring music, and corporate environments.
3) Technical Skills:
• In-depth knowledge and expertise in large-format digital consoles, including Digico, Yamaha, Avid, and Allen & Heath.
• Experience with PA systems from reputable brands such as L-Acoustics, D&B, and Meyer, including familiarity with their design and software.
• Proficiency in show running and mixing various live bands.
4) Engineering Expertise:
• Expertise in system engineering tasks such as rigging, designing, tuning, and alignments.
• Familiarity with wireless system software, including Shure Workbench and Sennheiser WSM.
• Strong understanding of electrical safety practices.
5) Technical Tools and Equipment:
• Possession of a high-performance personal laptop is mandatory.
• Required to have licensed Smaart or Systune software, along with an audio interface and calibration microphone.
6) Computer Skills:
• Proficiency in Microsoft Office applications.
• Knowledge of CAD/Vectorworks software is desirable.
7) Communication and Personal Attributes:
• Strong verbal and written communication skills in both English and Hindi.
• Positive attitude and professionalism in all work environments, including on-site and in the warehouse.
• Client-facing experience with excellent interpersonal skills.
• Ability to handle pressure, meet deadlines, and comply with the company’s Health and Safety Policy.
Roles & Responsibilities of Audio Engineer
1) Equipment Planning and Preparation:
• Plan equipment requirements based on show specifications and prepare packing slips using Rentman software.
• Prepare & check all necessary equipment for shows according to the packing list.
2) Logistics and Coordination:
• Site Recce: Organize site visits with the internal team and event organizers to understand setup placements and logistics.
• Supervise and coordinate the loading and unloading of equipment from trucks, ensuring safe transportation between the warehouse and the venue.
• Manage the setup and dismantling of equipment at the venue, ensuring all tasks are completed efficiently.
3) Technical Setup:
• Oversee PA rigging and ensure all connections (PA, console patching, stage patching, power) are correctly and securely established.
• Conduct alignment and tuning of PA systems using calibration software.
4) Console and Wireless System Setup:
• Set up and patch consoles as per event riders and specifications.
• Configure and tune wireless systems using Shure Workbench and Sennheiser WSM software.
5) Show Execution:
• Handle the complete show run and mixing for live band setups, ensuring high-quality audio performance throughout the event.
6) Maintenance and Organization:
• Assist in the planning and maintenance of equipment in the warehouse, working with the internal team to keep inventory in optimal condition.
• Ensure that all equipment and flight case tour labels are accurately marked for specific jobs.
7) Quality Control:
• Clearly mark any faulty or damaged equipment and promptly notify the Service Manager to facilitate repairs or replacements.
Eligibility Criteria for Assistant Audio Engineer
1) Educational Qualifications:
• Diploma in Audio/Electronic Engineering.
2) Experience:
• Minimum of 2 years of working experience in the AV industry.
• Experience working on and operating mid-scale live events.
3) Technical Skills:
• Proficient in patching, connections, and basic operation of large format digital consoles (e.g., Digico, Avid, Yamaha, Allen & Heath).
• Adept in the operation of small format digital consoles (e.g., Midas M32, Allen & Heath QU32, Yamaha DM3).
• In-depth knowledge and expertise in rigging and setting up line array systems (e.g., L-Acoustics, D&B, Adamson, JBL, RCF).
• Basic knowledge of configuring and operating PA software (e.g., LA Network Manager, RCF RD Net Controller).
• Fundamental understanding of alignment and tuning of PA systems.
• Proficient in basic system speaker connections, crossover settings, stage patching, signal routing, DI’s, and various microphone applications.
• Knowledge of wireless system connections, scanning, and tuning wireless frequencies.
• Basic understanding of power distribution and load calculation.
4) Technical Proficiency:
• Competent in using Windows and Mac operating systems.
• Proficient in Microsoft Excel and Word.
5) Personal Attributes:
• Strong communication skills, both verbal and written.
• Ability to work effectively as part of a team and under pressure.
• Demonstrated problem-solving skills and attention to detail.
Roles & Responsibilities of Assistant Audio Engineer
1) Equipment Preparation:
• Prepare audio equipment for shows in accordance with the packing list, ensuring all items are ready and functional.
2) Logistics Coordination:
• Supervise and coordinate the loading and unloading of equipment with the labor team, managing the transport of gear between the warehouse and venue.
3) On-Site Setup and Dismantling:
• Assist in the setup and dismantling of audio equipment at the venue, working effectively with the internal team to ensure a smooth operation.
4) PA Rigging and Connections:
• Take responsibility for rigging the PA system and handling all necessary connections, including PA systems, console patching, stage patching, and power setup.
5) Wireless System Operations:
• Perform basic setup and operations of wireless systems, ensuring proper configuration and functionality for the event.
6) Digital Console Management:
• Carry out basic setup and patching of digital consoles, ensuring they are configured according to event requirements.
7) Live Band Handling and Mixing:
• Handle and mix audio for basic live band setups, ensuring optimal sound quality and performance during the event.
8) Equipment Maintenance:
• Participate in the maintenance and cleaning of equipment in the warehouse, working with the internal team to keep all gear in good working condition.
Eligibility Criteria for Audio Technician
1) Educational Qualification:
• 12th Passed or Diploma in Electrical/Electronic/Audio Engineering.
2) Experience:
• Minimum of 1 year of working experience in the AV industry.
• Proven experience working and operating on small to mid-scale live events.
3) Event Handling:
• Experience handling small format shows, such as DJ setups, basic live bands, and conferences.
• Experience with small format PA systems, including JBL VRX and RCF HDL.
4) Technical Knowledge:
• Knowledge of rigging line array systems.
• Understanding of speaker connections, stage patching, DI boxes, and various microphone applications.
• Proficiency with all audio cables and connectors.
• Knowledge of all power connections and distribution, including mains.
5) Console Operation:
• Experience operating small format analog and digital consoles.
6) Software and Tools:
• Knowledge of operating laptops with Windows/Mac OS.
• Knowledge in Microsoft Excel and Word.
7) Wireless Systems:
• Basic knowledge of wireless system setup and connections.
8) Personal Attributes:
• Strong communication skills.
• Ability to work effectively in a team and independently.
• Attention to detail and ability to manage equipment efficiently.
Roles & Responsibilities of Audio Technician
1) Equipment Preparation:
• Prepare audio equipment for shows according to the packing list to ensure all necessary items are ready for each event.
2) Logistics Coordination:
• Supervise the loading and unloading of equipment with the labor team, ensuring proper handling from the warehouse to the event venue and back.
3) On-Site Setup and Dismantling:
• Assist in setting up and dismantling audio equipment at the event venue, working closely with the internal team to ensure correct installation and operation.
4) PA Rigging and Connections:
• Handle PA rigging and make all necessary audio connections, including PA, stage patching, and power connections.
5) Sound Setup and Operation:
• Operate and manage basic sound setups for various events such as DJ performances, basic live bands, and conferences.
6) Equipment Maintenance and Cleaning:
• Perform routine maintenance and cleaning of equipment in the warehouse to ensure it remains in good condition for future use.
7) System Checks and Troubleshooting:
• Conduct basic system checks and troubleshoot any issues with the audio equipment before and during events to ensure optimal performance.
8) Documentation and Reporting:
• Document equipment conditions and report any issues or damages to relevant team members for timely resolution.
9) Team Support:
• Provide general support to the audio team, assisting with additional tasks related to equipment handling and event preparation as needed.
10) Adherence to Safety Standards:
• Follow all safety procedures and protocols to maintain a safe working environment for all team members and event participants.
Eligibility Criteria for Backline Engineer
1) Educational Qualification:
• 12th Passed or Diploma in Electrical, Electronic, or Audio Engineering.
2) Experience:
• Minimum one year of working experience in the AV industry.
3) Instrument Setup Knowledge:
• Proficient in setting up various guitar and keyboard amplifiers.
• Experienced in setting up keyboards from brands such as Yamaha, Roland, and Korg.
4) Acoustic Instruments Handling:
• Skilled in assembling, tuning, and dismantling drum kits and other acoustic instruments.
5) Maintenance and Repairs:
• Knowledgeable in maintenance and performing basic repairs on audio equipment and instruments.
6) Technical Skills:
• Strong understanding of audio equipment handling and basic troubleshooting techniques.
7) Additional Skills:
• Familiarity with backline inventory management and event setup processes.
• Ability to work effectively with musicians and technical teams to ensure seamless equipment performance during events.
Roles & Responsibilities of Backline Engineer
1) Equipment Management:
• Loading and Unloading: Supervise and coordinate the loading and unloading of backline gear with the labor team from the warehouse to the event venue and back.
2) Event Setup and Dismantling:
• Setup: Set up and configure all backline equipment at the event venue, including drum kits, guitar amplifiers, and keyboards, ensuring alignment with artist specifications.
• Dismantling: Efficiently dismantle and pack down all backline gear at the event’s conclusion, ensuring all equipment is returned to the warehouse in proper condition.
3) Instrument Handling:
• Drum Kits and Acoustic Instruments: Assemble, tune, and adjust drum kits and other acoustic instruments to meet the specific needs of the artists.
• Amplifiers and Keyboards: Set up, connect, and test all guitar amplifiers and keyboards, ensuring seamless integration with the overall audio setup.
4) Maintenance and Upkeep:
• Cleaning: Perform routine cleaning and maintenance of backline gear in the warehouse to ensure equipment is kept in good working order.
• Basic Repairs: Conduct minor repairs and adjustments as needed to maintain equipment functionality and reliability.
5) Coordination and Communication:
• Team Collaboration: Work closely with internal teams and event staff to ensure smooth setup, operation, and dismantling of backline equipment.
• Artist Liaison: Address and accommodate specific technical requirements from artists and their management, ensuring satisfaction with the equipment setup and performance.
6) Safety and Compliance:
• Adherence to Safety Protocols: Follow all safety procedures and guidelines to ensure safe handling and operation of backline equipment.
• Compliance: Ensure all equipment handling and setup practices comply with company policies and industry standards.
Consent
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I agree to the Eligibility Criteria for Audio Recruitments.
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Candidates with 3–6 months of experience are preferred.
If you are a fresher, you can proceed by clicking the button below to access the dedicated Freshers Page.
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Job History (last 3)
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Company Name & City
Designation
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Tenure
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Does your company serve a Notice Period?
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Interest / Experience
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Mix Engineering
(Mixing FOH / MON for Bands)
System Engineering
(System Designing, PA Tuning, Allignment & Signal Routing)
Wireless Engineering
(Scaning, Tuning & Monitoring wireless systems through software)
Stage Engineering
(Band Patching & Stage Handeling)
Backline Engineering
(Backline Setup & Assembling)
System Rigging
(System Rigging & Complete PA Setup)
Power Management & Distribution
Service, Repair & Maintenance
Warehouse Management
Production Management
Experience of Handling
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Live Concerts
Ceremony Audio
Corporates
Weddings
Sport Events
Government Events
Theater
Studio
Clubs
Broadcast Events
Award Functions
None
In-depth Knowledge and Expertise
1. Line Array Systems (Rigging/Stacking, Connections)
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L ACOUSTICS K1
L ACOUSTICS K2
L ACOUSTICS KARA
D & B SL SERIES
D & B J SERIES
D & B V SERIES
ADAMSON E SERIES
ADAMSON S SERIES
MEYER SOUND
JBL VTX
JBL VERTEC
JBL VRX
RCF TTL
RCF HDL
MARTIN AUDIO
DAS
OTHERS
NONE
2. Mixing Consoles (Connections, Patching, Configuration, Show running)
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DIGICO SD5 / SD10 / QUANTUM
AVID S6L
AVID PROFILE / SC48
YAMAHA PM / DM / CL
Solid State Logic (SSL)
SOUNDCRAFT VI Series
MIDAS M32
ALLEN & HEATH D LIVE / QU 32
LARGE FORMAT ANALOG CONSOLE
SMALL FORMAT ANALOG CONSOLE
NONE
3. Audio Transport Protocol & Networking
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OPTOCORE
DANTE
MADI
AVB
ETHERNET
LUMINEX Networking
NONE
4. Wireless Systems (Connections, Configuration, Scanning, Deployment)
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SHURE AXIENT / UHFR
SHURE ULX / SLX
SENNHEISER 2000/6000
SENNHEISER 500 EW G4/G3
AUDIO TECHNICA / AKG
NONE
5. Wireless IEM (Connections, Configuration, Scanning, Deployment)
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SHURE PSM SERIES
SENNHEISER 2000 SERIES
SENNHEISER EW G4/G3
SHURE ADPSM
SENNHEISER SPECTRA
NONE
6. Wireless Softwares (Networking, Assigning, Monitoring)
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SHURE WORKBENCH
SENNHEISER WSM
NONE
7. System Controllers & Processors (Preset Customization, Routing, Connections)
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DIRECT OUT PRODIGY
L ACOUSTICS P1
D&B DS SERIES
LAKE LM44 / 26
Newton Outline
Meyer Sound Galileo
DBX DRIVERACK 360 / 260
NONE
8. Calibration Software (Device Configuration, Alignment, Tuning)
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SMAART
SYSTUNE
L-Acoustics M1
D&B R1
NONE
9. System Designing Software (Configuration, Monitoring)
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L Acoustics Soundvision
D&B Array CALC
JBL Line Array Calculator
MAP TXT
EASE FOCUS
ADAMSON BLUE PRINT
JBL VENUE SYNTHESIS
NONE
10. System Control Software (Designing, Connections, Deployment, Monitoring)
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L Acoustics Network Manager
D&B R1
JBL Performance Manager
RCF RD NET
Adamson (Lake Controller)
Direct Out (Globcon)
LUMINEX ARANEO
NONE
11. Backline (Assemble, Dismantle, Maintenance)
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Instrument Amps Setup & Connections
Tuning Acoustic Instruments
Assembling & Dismentaling of Drum kits & Acoustic Instruments
Keyboard Setup & Basic Operations
NONE
12. Power Management
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In depth Knowledge of 3 Phase Load Distribution
UPS / Power Distro / PoweSafe Operatiions
Power Load Calculation
Mains Genset Connections
NONE
13. Computer Skills
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Windows
Mac
Microsoft Excel
Microsoft Word
Microsoft Power Point
Sketchup
Autocad
Pro Tools
Nuendo
VECTORWORKS
NONE
Salary Expectation (Including Food & Accomadation)
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10-15K
15-20K
20-30K
30-40K
40-50K
50-75K
75K-1Lac
1 Lac Above
Reason for Switching the Job
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Why do you want to Join Mega Sound?
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Additional Information/Experience
Declaration
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I hereby declare that the above particular of facts & information stated are true, correct & complete to the best of my belief & knowledge.
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